Tuesday 22 May 2012

DC PUBLICATION




From Jo's session where we had to pick 10 aspects of DC we have enjoyed I was able to narrow down what I wanted to do for my publication. I decided to go with looking at the contact of practice session where we looked at what was aesthetically pleasing and how to describe it as I found this an interesting session. 

From jo'es later crit I have decided that my rationale is that I want to create an analytical dictionary. A book filled with appropriate words to describe and analyse work as I feel it is very important to choose the correct tone of language when analysing, but at the same time it is very hard to come up with different words. I also want to explore ways of how to apply this appropriate language to work.

Research.

Research is a big component for this brief as we need to have the content before we can start thinking about how we want it to look etc. What I want to research is what words we should use to describe/analyse work.
To start things off I want to see what kind of language my peers use when analysing work:












From this survey I discoverd that the majority said yes that they struggled to come up with words when analysing work. It was also clear from the 10 examples that they gave me that the tone they use is informal, which is not appropriate for analytical academic writing.


The above link is for the Macmillan dictionary website where there is a page of words specifically to describe art. This is a strong list of words and although not all are releven to graphic design it is a good start to generate words.


Article about what words we should and shouldn't use, and general 'art speak'


to generate more words to add variety to my research I decided to see what  previous people on yahoo ask had to say.


highschool art teachers, teaching plan, on how to analyse work. quite interesting to see all the different techniques of doing it.

below more words

DESCRIPTIVE WORDS TO USE IN A FORMAL CRITIQUE OF ART
ELEMENTS OF
ART
Line
blurred
broken
controlled
curved
diagonal
freehand
horizontal
interrupted
geometric
meandering
ruled 
short
straight
thick
thin
vertical
wide
reversed

Texture
actual 
bumpy
corrugated
flat 
furry 
gooey 
leathery 
prickly 
rough 
sandy 
shiny 
simulated 
smooth
soft 
sticky 
tacky
velvet
wet 


Shape/Form
amorphous
biomorphic
closed
distorted
 flat
free-form
full of spaces
geometric
heavy
light
linear
massive
nebulous
open 
organic

Value
dark
light
medium

Space
ambiguous
deep
flat
negative/positive
open
shallow 
Principles of Art
balance
contrast
emphasis 
harmony 
pattern 
repetition 
rhythm 
unity 
variety 

Themes in Art
adoration
children 
circus 
cityscape
earth, air, fire, water 
farming festivals 
gardens 
grief
history 
hunting 
landscape
love
music
mythology
of historic occasions
portraiture
processions
religion
seascape
storytelling
theater
war
STYLE OR
PERIOD
abstract
classical
genre
historical 
literary
naïve
narrative
nonobjective
primitive
realistic
romantic
Renaissance
Pop
Op
Modern
Abstract Expression
MEDIA (MATERIALS)
Two-Dimensional
chalk
colored pencil
conte
egg tempera
found materials
gouache
ink
oil
pastel
pencil
photograph
print
tempera
vine charcoal
watercolor
Three-Dimensional
bronze
clay
fibers
found materials
marble
metal
mixed media
papier-mâché
plaster
stone
wood
TECHNIQUE
architecture 
batik
carving
ceramics
collage
crafts
glassblowing
 jewelry making
metalwork
modeling
mosaics
painting
photography
printmaking
repousse
sculpture
weaving





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