From Jo's session where we had to pick 10 aspects of DC we have enjoyed I was able to narrow down what I wanted to do for my publication. I decided to go with looking at the contact of practice session where we looked at what was aesthetically pleasing and how to describe it as I found this an interesting session.
From jo'es later crit I have decided that my rationale is that I want to create an analytical dictionary. A book filled with appropriate words to describe and analyse work as I feel it is very important to choose the correct tone of language when analysing, but at the same time it is very hard to come up with different words. I also want to explore ways of how to apply this appropriate language to work.
Research.
Research is a big component for this brief as we need to have the content before we can start thinking about how we want it to look etc. What I want to research is what words we should use to describe/analyse work.
To start things off I want to see what kind of language my peers use when analysing work:
From this survey I discoverd that the majority said yes that they struggled to come up with words when analysing work. It was also clear from the 10 examples that they gave me that the tone they use is informal, which is not appropriate for analytical academic writing.
The above link is for the Macmillan dictionary website where there is a page of words specifically to describe art. This is a strong list of words and although not all are releven to graphic design it is a good start to generate words.
Article about what words we should and shouldn't use, and general 'art speak'
to generate more words to add variety to my research I decided to see what previous people on yahoo ask had to say.
highschool art teachers, teaching plan, on how to analyse work. quite interesting to see all the different techniques of doing it.
below more words
DESCRIPTIVE WORDS TO USE IN A FORMAL CRITIQUE OF ART
ELEMENTS OF
ART
Line
blurred
broken
controlled
curved
diagonal
freehand
horizontal
interrupted
geometric
meandering
ruled
short
straight
thick
thin
vertical
wide
reversed
Texture
actual
bumpy
corrugated
flat
furry
gooey
leathery
prickly
rough
sandy
shiny
simulated
smooth
soft
sticky
tacky
velvet
wet
|
Shape/Form
amorphous
biomorphic
closed
distorted
flat
free-form
full of spaces
geometric
heavy
light
linear
massive
nebulous
open
organic
Value
dark
light
medium
Space
ambiguous
deep
flat
negative/positive
open
shallow
|
Principles of Art
balance
contrast
emphasis
harmony
pattern
repetition
rhythm
unity
variety
Themes in Art
adoration
children
circus
cityscape
earth, air, fire, water
farming festivals
gardens
grief
history
hunting
landscape
love
music
mythology
of historic occasions
portraiture
processions
religion
seascape
storytelling
theater
war
|
STYLE OR
PERIOD
abstract
classical
genre
historical
literary
naïve
narrative
nonobjective
primitive
realistic
romantic
Renaissance
Pop
Op
Modern
Abstract Expression
|
MEDIA (MATERIALS)
Two-Dimensional
chalk
colored pencil
conte
egg tempera
found materials
gouache
ink
oil
pastel
pencil
photograph
print
tempera
vine charcoal
watercolor
Three-Dimensional
bronze
clay
fibers
found materials
marble
metal
mixed media
papier-mâché
plaster
stone
wood
|
TECHNIQUE
architecture
batik
carving
ceramics
collage
crafts
glassblowing
jewelry making
metalwork
modeling
mosaics
painting
photography
printmaking
repousse
sculpture
weaving
|
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